Flattone
Flattone is an alternative extension to 5-limit meantone, the temperament that tempers out the syntonic comma (81/80). It is generated by a fifth that is typically flatter than that of meantone, and nine of those reach the pitch class of 8/7, so that 7/4 is a diminished seventh (C-B𝄫), 7/6 is a diminished third (C-E𝄫), and 7/5 is a doubly diminshed fifth (C-G𝄫).
11- and 13-limit extensions are fairly obvious, using the heavily tempered chromatic semitone for the undecimal quartertone of 33/32 and the tridecimal third tone of 27/26. 11/8 is an augmented fourth, and 13/8 is a minor sixth, conflated with 8/5.
Reasonable tunings lie between 19edo and 26edo. 19edo is the point where 7/4 and 12/7 are conflated. Any tuning whose fifth is sharper than 19edo's has the sizes of 7/4 and 12/7 inverted, so they can be more properly analysed as septimal meantone. Similarly, 26edo is the point where 7/5 and 10/7 are conflated. Any tuning whose fifth is flatter than 26edo's has the sizes of 7/5 and 10/7 inverted, so they can be more properly analysed as a flatter-of-flattone temperament.
See Meantone family #Flattone for technical data.
Interval chain
In the following table, odd harmonics 1–13 are in bold.
| # | Cents* | Approximate Ratios |
|---|---|---|
| 0 | 0.0 | 1/1 |
| 1 | 693.0 | 3/2 |
| 2 | 186.1 | 9/8, 10/9, 11/10 |
| 3 | 879.1 | 5/3 |
| 4 | 372.1 | 5/4, 16/13, 26/21 |
| 5 | 1065.1 | 11/6, 13/7, 15/8, 24/13 |
| 6 | 558.2 | 11/8, 18/13 |
| 7 | 51.2 | 25/24, 27/26, 33/32, 36/35, 55/54, 64/63 |
| 8 | 744.2 | 20/13, 32/21 |
| 9 | 237.3 | 8/7, 15/13 |
| 10 | 930.3 | 12/7, 22/13 |
| 11 | 423.3 | 9/7 |
| 12 | 1116.4 | 27/14, 40/21 |
| 13 | 609.4 | 10/7 |
* in 13-limit CTE tuning
Scales
- Flattone12 – 12-tone chromatic scale in 13-limit POTE tuning
Tunings
Tuning spectrum
| Edo Generator |
Eigenmonzo (Unchanged-interval)* |
Generator (¢) |
Comments |
|---|---|---|---|
| 64/63 | 689.609 | ||
| 13/8 | 689.868 | ||
| 11/6 | 689.873 | ||
| 19\33 | 690.909 | ||
| 13/11 | 691.079 | ||
| 21/16 | 691.152 | ||
| 9/5 | 691.202 | 1/2 comma | |
| 53\92 | 691.304 | ||
| 21/11 | 691.467 | ||
| 34\59 | 691.525 | ||
| 49\85 | 691.765 | ||
| 11/8 | 691.886 | ||
| 11/7 | 692.166 | 11- and 13-odd-limit minimax | |
| 13/12 | 692.285 | ||
| 15\26 | 692.308 | Lower bound of 7-, 9-, 11-, and 13-odd-limit diamond monotone | |
| 7/4 | 692.353 | ||
| 21/13 | 692.437 | ||
| 36/35 | 692.681 | ||
| 49/48 | 692.858 | ||
| 41\71 | 692.958 | ||
| 21/20 | 692.961 | ||
| 13/10 | 693.223 | ||
| 7/6 | 693.313 | ||
| 26\45 | 693.333 | ||
| 7/5 | 693.653 | 7-odd-limit minimax | |
| 37\64 | 693.750 | ||
| 9/7 | 694.099 | 9-odd-limit minimax | |
| 15/13 | 694.193 | ||
| 15/14 | 694.246 | ||
| 13/7 | 694.340 | ||
| 11\19 | 694.737 | Upper bound of 7-, 9-, 11-, 13-odd-limit diamond monotone | |
| 5/3 | 694.786 | 1/3 comma | |
| 25/24 | 695.810 | 2/7 comma | |
| 5/4 | 696.578 | 1/4 comma, 5-odd-limit minimax | |
| 15/8 | 697.654 | 1/5 comma | |
| 7\12 | 700.000 | ||
| 3/2 | 701.955 | Pythagorean tuning |
* besides the octave