97edo
← 96edo | 97edo | 98edo → |
97 equal divisions of the octave (abbreviated 97edo or 97ed2), also called 97-tone equal temperament (97tet) or 97 equal temperament (97et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 97 equal parts of about 12.4 ¢ each. Each step represents a frequency ratio of 21/97, or the 97th root of 2.
Theory
In the patent val, 97edo tempers out 875/864, 4000/3969 and 1029/1024 in the 7-limit, 245/242, 100/99, 385/384 and 441/440 in the 11-limit, and 196/195, 352/351 and 676/675 in the 13-limit. It provides the optimal patent val for the 13-limit 41&97 temperament tempering out 100/99, 196/195, 245/242 and 385/384.
Odd harmonics
Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | absolute (¢) | +3.20 | -2.81 | -3.88 | -5.97 | +5.38 | +0.71 | +0.39 | -5.99 | -0.61 | -0.68 | +2.65 |
relative (%) | +26 | -23 | -31 | -48 | +44 | +6 | +3 | -48 | -5 | -5 | +21 | |
Steps (reduced) |
154 (57) |
225 (31) |
272 (78) |
307 (16) |
336 (45) |
359 (68) |
379 (88) |
396 (8) |
412 (24) |
426 (38) |
439 (51) |
Subsets and supersets
97edo is the 25th prime edo.
388edo and 2619edo, which contain 97edo as a subset, have very high consistency limits - 37 and 33 respectively. 3395edo, which divides the edostep in 35, is a zeta edo. The berkelium temperament realizes some relationships between them through a regular temperament perspective.
JI approximation
97edo has very poor direct approximation for superparticular intervals among edos up to 200, and the worst for intervals up to 9/8 among edos up to 100. It has errors of well above one standard deviation (about 15.87%) in superparticular intervals with denominators up to 14. The first good approximation is the 16/15 semitone using the 9th note, with an error of 3%, meaning 97edo can be used as a rough version of 16/15 equal-step tuning.
Since 97edo is a prime edo, it lacks specific modulation circles, symmetrical chords or sub-edos that are present in composite edos. When notable equal divisions like 19, 31, 41, or 53 have strong JI-based harmony, 97edo does not have easily representable modulation because of its inability to represent superparticulars. However, this might result in interest in this tuning through JI-agnostic approaches.
Interval | Error (Relative, r¢) |
---|---|
3/2 | 25.9 |
4/3 | 25.8 |
5/4 | 22.7 |
6/5 | 48.6 |
7/6 | 42.8 |
8/7 | 31.4 |
9/8 | 48.2 |
10/9 | 25.6 |
11/10 | 33.7 |
12/11 | 17.6 |
13/12 | 20.1 |
14/13 | 37.0 |
15/14 | 34.6 |
16/15 | 3.1 |
17/16 | 48.3 |
Intervals
Steps | Cents | Ups and downs notation | Approximate ratios |
---|---|---|---|
0 | 0 | D | 1/1 |
1 | 12.3711 | ^D, v5E♭ | |
2 | 24.7423 | ^^D, v4E♭ | 64/63, 65/64, 78/77 |
3 | 37.1134 | ^3D, v3E♭ | 45/44, 50/49 |
4 | 49.4845 | ^4D, vvE♭ | 65/63, 77/75 |
5 | 61.8557 | ^5D, vE♭ | 80/77 |
6 | 74.2268 | ^6D, E♭ | |
7 | 86.5979 | ^7D, v10E | 21/20 |
8 | 98.9691 | ^8D, v9E | 55/52 |
9 | 111.34 | ^9D, v8E | 16/15, 77/72 |
10 | 123.711 | ^10D, v7E | 14/13, 15/14 |
11 | 136.082 | D♯, v6E | 13/12 |
12 | 148.454 | ^D♯, v5E | 12/11 |
13 | 160.825 | ^^D♯, v4E | |
14 | 173.196 | ^3D♯, v3E | |
15 | 185.567 | ^4D♯, vvE | |
16 | 197.938 | ^5D♯, vE | 28/25 |
17 | 210.309 | E | 44/39 |
18 | 222.68 | ^E, v5F | |
19 | 235.052 | ^^E, v4F | 8/7, 55/48, 63/55 |
20 | 247.423 | ^3E, v3F | 15/13, 52/45 |
21 | 259.794 | ^4E, vvF | 64/55, 65/56 |
22 | 272.165 | ^5E, vF | 75/64 |
23 | 284.536 | F | 13/11 |
24 | 296.907 | ^F, v5G♭ | 25/21, 77/65 |
25 | 309.278 | ^^F, v4G♭ | |
26 | 321.649 | ^3F, v3G♭ | 77/64 |
27 | 334.021 | ^4F, vvG♭ | 63/52 |
28 | 346.392 | ^5F, vG♭ | 11/9, 39/32, 49/40 |
29 | 358.763 | ^6F, G♭ | 16/13, 27/22 |
30 | 371.134 | ^7F, v10G | 26/21 |
31 | 383.505 | ^8F, v9G | 5/4 |
32 | 395.876 | ^9F, v8G | |
33 | 408.247 | ^10F, v7G | |
34 | 420.619 | F♯, v6G | |
35 | 432.99 | ^F♯, v5G | 77/60 |
36 | 445.361 | ^^F♯, v4G | |
37 | 457.732 | ^3F♯, v3G | 13/10 |
38 | 470.103 | ^4F♯, vvG | 21/16, 55/42, 72/55 |
39 | 482.474 | ^5F♯, vG | |
40 | 494.845 | G | 4/3 |
41 | 507.216 | ^G, v5A♭ | 75/56 |
42 | 519.588 | ^^G, v4A♭ | |
43 | 531.959 | ^3G, v3A♭ | |
44 | 544.33 | ^4G, vvA♭ | |
45 | 556.701 | ^5G, vA♭ | |
46 | 569.072 | ^6G, A♭ | |
47 | 581.443 | ^7G, v10A | 7/5 |
48 | 593.814 | ^8G, v9A | 45/32, 55/39 |
49 | 606.186 | ^9G, v8A | 64/45, 78/55 |
50 | 618.557 | ^10G, v7A | 10/7, 63/44 |
51 | 630.928 | G♯, v6A | 75/52 |
52 | 643.299 | ^G♯, v5A | |
53 | 655.67 | ^^G♯, v4A | |
54 | 668.041 | ^3G♯, v3A | |
55 | 680.412 | ^4G♯, vvA | 77/52 |
56 | 692.784 | ^5G♯, vA | |
57 | 705.155 | A | 3/2 |
58 | 717.526 | ^A, v5B♭ | |
59 | 729.897 | ^^A, v4B♭ | 32/21, 55/36 |
60 | 742.268 | ^3A, v3B♭ | 20/13 |
61 | 754.639 | ^4A, vvB♭ | 65/42 |
62 | 767.01 | ^5A, vB♭ | |
63 | 779.381 | ^6A, B♭ | |
64 | 791.753 | ^7A, v10B | |
65 | 804.124 | ^8A, v9B | |
66 | 816.495 | ^9A, v8B | 8/5, 77/48 |
67 | 828.866 | ^10A, v7B | 21/13 |
68 | 841.237 | A♯, v6B | 13/8, 44/27 |
69 | 853.608 | ^A♯, v5B | 18/11, 64/39, 80/49 |
70 | 865.979 | ^^A♯, v4B | |
71 | 878.351 | ^3A♯, v3B | |
72 | 890.722 | ^4A♯, vvB | |
73 | 903.093 | ^5A♯, vB | 42/25 |
74 | 915.464 | B | 22/13 |
75 | 927.835 | ^B, v5C | 77/45 |
76 | 940.206 | ^^B, v4C | 55/32 |
77 | 952.577 | ^3B, v3C | 26/15, 45/26 |
78 | 964.948 | ^4B, vvC | 7/4 |
79 | 977.32 | ^5B, vC | |
80 | 989.691 | C | 39/22 |
81 | 1002.06 | ^C, v5D♭ | 25/14 |
82 | 1014.43 | ^^C, v4D♭ | |
83 | 1026.8 | ^3C, v3D♭ | |
84 | 1039.18 | ^4C, vvD♭ | |
85 | 1051.55 | ^5C, vD♭ | 11/6 |
86 | 1063.92 | ^6C, D♭ | 24/13 |
87 | 1076.29 | ^7C, v10D | 13/7, 28/15 |
88 | 1088.66 | ^8C, v9D | 15/8 |
89 | 1101.03 | ^9C, v8D | |
90 | 1113.4 | ^10C, v7D | 40/21 |
91 | 1125.77 | C♯, v6D | |
92 | 1138.14 | ^C♯, v5D | 77/40 |
93 | 1150.52 | ^^C♯, v4D | |
94 | 1162.89 | ^3C♯, v3D | 49/25 |
95 | 1175.26 | ^4C♯, vvD | 63/32, 77/39 |
96 | 1187.63 | ^5C♯, vD | |
97 | 1200 | D | 2/1 |